Being a feminist by action speaks louder than arguing about semantics. Being a strong woman in the world is a feminist act. It’s impossible to be a woman and not see misogyny, but I don’t walk through life feeling like a victim. I’ve been very lucky. The strongest thing a woman can do is be successful, powerful and excel at whatever they choose to excel at.
By Annie Clark aka St. Vincent
The recent release of “Dawn of the Planet of the Apes" reminded me of one of my favorite ape vs. man films – this 1932 video that shows a baby chimpanzee and a baby human undergoing the same basic psychological tests.
Its gets weirder – the human baby (Donald) and the chimpanzee baby (Gua) were both raised as humans by their biological/adopted father Winthrop Niles Kellogg. Kellogg was a comparative psychologist fascinated by the interplay between nature and nurture, and he devised a fascinating (and questionably ethical) experiment to study it:
Suppose an anthropoid were taken into a typical human family at the day of birth and reared as a child. Suppose he were fed upon a bottle, clothed, washed, bathed, fondled, and given a characteristically human environment; that he were spoken to like the human infant from the moment of parturition; that he had an adopted human mother and an adopted human father.
First, Kellogg had to convince his pregnant wife he wasn’t crazy:
…the enthusiasm of one of us met with so much resistance from the other that it appeared likely we could never come to an agreement upon whether or not we should even attempt such an undertaking.
She apparently gave in, because Donald and Gua were raised, for nine months, as brother and sister. Much like Caesar in the “Planet of the Apes” movies, Gua developed faster than her “brother,” and often outperformed him in tasks. But she soon hit a cognitive wall, and the experiment came to an end. (Probably for the best, as Donald had begun to speak chimpanzee.)
Why the size? We have kept the width the same as the existing dollars. However we have changed the size of the note so that the one dollar is shorter and the 100 dollar is the longest. When stacked on top of each other it is easy to see how much money you have. It also makes it easier for the visually impaired to distinguish between notes.
Why a vertical format? When we researched how notes are used we realized people tend to handle and deal with money vertically rather than horizontally. You tend to hold a wallet or purse vertically when searching for notes. The majority of people hand over notes vertically when making purchases. All machines accept notes vertically. Therefore a vertical note makes more sense.
Why different colors? It’s one of the strongest ways graphically to distinguish one note from another.
Why these designs? We wanted a concept behind the imagery so that the image directly relates to the value of each note. We also wanted the notes to be educational, not only for those living in America but visitors as well. Each note uses a black and white image depicting a particular aspect of American history and culture. They are then overprinted with informational graphics or a pattern relating to that particular image.
$1 – The first African American president $5 – The five biggest native American tribes $10 – The bill of rights, the first 10 amendments to the US Constitution $20 – 20th Century America $50 – The 50 States of America $100 – The first 100 days of President Franklin Roosevelt. During this time he led the congress to pass more important legislations than most presidents pass in their entire term. This helped fight the economic crises at the time of the great depression. Ever since, every new president has been judged on how well they have done during the first 100 days of their term.
I get so annoyed with Americans who make fun of Canadian currency because it’s “Monopoly Money.” What? Our currency is multicoloured, see-through, holographic and almost indestructible! I guess that’s not as cool as being impossible to tell apart, wrinkly, bland and super easy to rip?
The pair is the primary creative unit — not just because pairs produce such a staggering amount of work but also because they help us to grasp the concept of dialectical exchange. At its heart, the creative process itself is about a push and pull between two entities, two cultures or traditions, or two people, or even a single person and the voice inside her head. Indeed, thinking itself is a kind of download of dialogue between ourselves and others. And when we listen to creative people describe breakthrough moments that occur when they are alone, they often mention the sensation of having a conversation in their own minds.
By The End of ‘Genius’ - NYTimes.com (via photographsonthebrain)